Doherty

Miller 2006 Grenache Shannon Ridge (Lake County) – 14.7%. Candy, bubblegum, synthetic strawberry syrup, and all the vapidity of badly-conceived plastic surgery caked with cheap makeup. Alcoholic, too. (4/10)

Terres it up

Terres d’Avignon “Kermit Lynch” 2006 Côtes-du-Rhône (Rhône) – Drinking very well right now, with powdered pepper and herb softness settling into a plusher blend of dried fruit and light soil than was apparent even a few months ago. When this wine is on, it’s one of the best values in the Côtes-du-Rhône, not least because it fulfills expectations so perfectly. And 2006 was definitely an “on” vintage. 2007…perhaps not so much. (4/10)

Jumilla Jovovich

Casa de la Ermita 2005 Jumilla Dulce Monastrell (Levant) – From 375 ml. I keep trying this wine, and it never gets more appealing than it does intriguing: dusty tannin, black fruit, syrupy texture and sweetness, and the rough, stony animalism that signifies the variety. It doesn’t work for me. (3/10)

Dog house

Dog Point 2008 Sauvignon Blanc (Marlborough) – Goes right to the heart of Marlborough sauvignon-ness (sauvignon-icity?) but in a defter, more polished way than the abrasive style that made the region. This, in case it’s not clear, is a good thing. Underripe citrus and grass vie with just enough razory acidity for dominance, and while the wine’s racy enough, it’s neither tooth-scraping nor functionally underripe. Solid, paradigm-defining wine. Which is not to say that there’s not better out there, because there is. (3/10)

Ed Meese

Edmeades 2000 Zinfandel Ciapusci (Mendocino Ridge) – 15.9%. Blackberry-infused whiskey, prune, licorice, and coconut rum. This might as well be 25.9% for all the heat, burn, and fire it shows. The wine has always been a wallop in the head, but I don’t think trying to age it was a good idea. (3/10)

Main street

Donaldson Family “Main Divide” 2005 Riesling (New Zealand) – Fruity and a little aggressive, but the bones are just starting to show through the skin, and the wine’s picked up a brittleness it didn’t have even a few months ago. I don’t know if it’s closing or fading. (3/10)

Trademarked sausage

Rolly Gassmann 2003 Pinot Gris Brandhurst de Bergheim “Sélection des Grains Nobles” (Alsace) – Sticky and extremely sweet. Sugared apples and some interesting vegetal notes. I tasted this at release and didn’t think it had a long future, and I think that was the right call both then and now. In fact, I’m a little surprised how fast it has fallen off. (3/10)

Steve & Eydie

Faller “Domaine Weinbach” 2000 Gewurztraminer “Cuvée Laurence” (Alsace) – Fat lychee and flower garden. Very lush. This could use a lot more acidity, in my opinion, though this feeling is not shared by others tasting the wine. It’s good, but this house can (and usually does) do better with this grape. (3/10)

Hawaiian tropic

Ridge 1999 Geyserville (Sonoma County) – 14.8%. Open 24 hours and tasted from a mostly empty bottle. Coconut oil, spicy earth, walnut, and chocolate. Good acidity. This is in a slightly weird state, and I have a disagreement with the source of the bottle; he thinks its ready to drink, I think it’s in need of more time. (3/10)

Durell hand cream

Edmunds St. John 1995 Syrah Durell (Sonoma Valley) – 14.4%. Such a deep purple it’s like drinking a Jon Lord keyboard solo. Still very structured, with fine balance but with its cards held very close to its chest. It takes about five minutes to unwind from a cranky and difficult opening, and then it just sits there, unchanging, for hours. And hours. A touch of volatile acidity eventually develops in the glass, but it’s minor and non-hyper-sensitives probably won’t even notice it. Five to ten more years, at least, are required here; it’s certainly not in a generous mood at the moment. (3/10)

The bigger they are

Müller-Catoir 2006 Haardter Herzog Rieslaner Beerenauslese 14 07 (Pfalz) – From 375 ml. Thudding sugar of nearly unbelievable intensity. Huge molten metal paired with grilled pineapple. But oh, so overwhelmingly sweet. (3/10)

The Haardter they fall

Müller-Catoir 2008 Haardter Herzog Rieslaner Spätlese 20 09 (Pfalz) – Huge, huge, huge. Banana cream and raspberry popsicle. Oddly, I mean both in a positive way. Powerful, and in fact a little overwhelming. (3/10)

Fréd's not dead

Trimbach 1997 Riesling “Cuvée Frédéric Émile” (Alsace) – Opened after a short run of other producers’ ‘97s raised some cause for concern. Well, there’s nothing to worry about here. It’s rich, and already into its creamy, mature stage, with soft minerality blown through a dusty wind tunnel. A little shy at first, it expands and gains firmness as it aerates. Not a touch of oxidation, and really good. If you own this in quantity, it’s time to start drinking, but if you don’t there’s certainly no hurry. (3/10)

Granger, Granger things have happened

Granger 2006 Chénas (Beaujolais) – Soil-infused red cherries, squared-off and solid. Starts nice, gets better. Really quite impressive by the time the bottle’s drained. (3/10)

Štúrovo-lacto

Egon Müller “Château Belá” 2003 Riesling (Štúrovo) – Corked. (3/10)

Nau free

Scholium Project 2008 “Naucratis” Lost Slough (California) – 16.3% California verdejo, and isn’t there just bound to be a massive potential market for such a thing? Very spicy. Perfumed roses, lots of skin to the structure, huge, and very hot. This is served blind, and I get nowhere even vaguely close. (3/10)

Aubry Hepburn

L. Aubry 2003 Champagne Brut “Le Nombre d’Or” (9/09 disgorgement) (Champagne) – Fascinating. Exotic pear. Very floral and boisterous. Fun and yet odd. Considering what this is made from – fromenteau, petit meslier, and arbanne – there’s little surprise I’m having trouble getting a handle on it, or contextualizing it within my expectations for Champagne. (3/10)

Séguret squirrel

Domaine de Mourchon 2005 Côtes-du-Rhône-Villages Séguret (Rhône) – Open for 24 hours by the time I taste it. Big, dusty, and dark, showing strawberry bubblegum and hard tannin. Very purple in nearly every aspect. A little angry. But good. (3/10)

Rolly polly

Rolly Gassmann 1998 Gewurztraminer Stegreben de Rorschwihr “Vendanges Tardives” (Alsace) – Not all that sweet, actually. Leaves, dark skins, and structural acidity dominate. Perhaps a bit of weediness? A pleasant kind, if so. Juicy and rather beautiful, though I think it needs drinking. (3/10)

Donjonson

Lucien “Le Vieux Donjon” 1990 Châteauneuf-du-Pape (Rhône) – Smells like a Burgundy, tastes like a Rhône...but something more northerly, perhaps Côte-Rôtie, in its elegance and restraint. And it’s still very primary tannic and tight, albeit from a glacial cellar; more typical cellaring environments might lead to different results. It’s full of suggestions, gestures, and hints, with a peacock tail of aromas just waiting to burst forth. Classy and portending beauty. (3/10)

Descombes your hair

Descombes 2006 Brouilly (Beaujolais) – Fiercely acidic. Raspberry, cranberry, and underbrush…but this is like trying to drink from a spiked metal helmet. Liquefied iron arrives somewhere within the finish. A little brett, too? Impossible to ignore, screeches for food, and while I like it, I think it will need to be addressed as Mistress Descombes in the future. (3/10)

Gofeet

Goyard “Domaine de Roally” 1999 Mâcon-Villages “Tradition” (Mâcon) – Vivid and beeswaxy, commencing in a linear fashion, growing rounder and fleshier around the waist, and then tapering again into the finish. Dry honey, chalk, crystals. After an hour or so, there’s a hint of butter. A really, really good wine, and my best bottle of this yet. (3/10)

Free Radikon

Radikon 2003 Ribolla Gialla (Venezia Giulia) – Creamy, with that odd tension between stone fruit and ripe red berries that so often marks this grape when made in this fashion. There’s skin tannin, but it’s milder than normal (possibly a consequence of the vintage, though if so it runs counter to the excess/underripe-tannin problem that plagues so many 2003s), and while the wine feels heavy on the palate, it lightens considerably by the time the finish rolls around. A good, not great, Radikon ribolla, but considering the elevated starting position there’s no real shame in that. (3/10)

Lispida sound

Castello di Lispida 2002 “Amphora” Bianco (Veneto) – Corked. (3/10)

Chesterville

Cedarville 2000 Zinfandel (El Dorado) – 15.7%. I’ve never had a Cedarville wine that I didn’t think was too oaky for its own good, and this caused me to give up on the winery – despite palates I trusted trying to convince me otherwise – years ago. Based on this bottle, I kinda wish I’d listened. The oak, once lavish, has integrated; it’s not gone by any means, but it is now just a partner to the vibrant, spicy, mountain-pine and fields-of-berries fruit. That fruit, however, is still fairly primary, and there are no disjointed elements to the structure, so I can’t say that I think this is any danger of needing consumption. In fact, it might not even be ready yet. (3/10)

Wade Boxler

Boxler 2005 Gewurztraminer (Alsace) – Rich, ripe, but not heavy, leaning more strongly on peaches than lychees, with layers of crystalline spice underneath. Just structured enough, though it’s on the thick side of the norm for this wine. (NB: This is the Chadderdon bottling, carrying no label code…though I don’t think there’s a differentiator for the gewurztraminer even on the French side of things.) (3/10)

Murlé bad

Frick 2005 Gewurztraminer Rot-Murlé (Alsace) – An intriguing combination of the deadening weight of an overripe gewurztraminer and the weedy, fetid swamp aroma of an underripe one. That’s an accomplishment. (3/10)

Fischer king

Dr. Fischer 2007 Ockfener Bockstein Riesling Spätlese 3 08 (Mosel-Saar-Ruwer) – Shy for the first twelve hours or so, then blossoming into timidity and overt restraint. Sounds exciting, I know. A lot of dust eventually leads to a petrol-tinged lemongrass creaminess and canned peaches (more about the can than the fruit), but this just isn’t very interesting. (3/10)

Chocolate chip cookie Cerdon

Renardat-Fache Bugey Cerdon (Ain) – How many more notes does the internet need on this wine? It’s pure joy. Buy it. Buy cases of it. Buy pallets of it. (3/10)

Soften or Laudun

Texier 2001 Côtes-du-Rhône-Villages Laudun (Rhône) – Pretty much ready, perhaps even a touch past ideal, as the well-soiled meat and rough underbrush are showing signs of male-pattern baldness in the midpalate. The fruit, structure, etc. aren’t fully “matured,” but I don’t think there’s going to be sufficient body in the future to support continued effort along these lines. I’m glad I aged it, though, as it’s more interesting than it was in its more monolithic youth. (3/10)

Texier 2001 Côtes-du-Rhône-Villages Laudun (Rhône) – Concentrating down towards the classic Rhône destination of meat juice, but there’s still blackberry and even a little bit of strawberry lingering about. Straightforward and simple, but good. I’d drink this soonish if I had any more…and hey, what a surprise, I do. And will. (3/10)

Texier 2001 Côtes-du-Rhône-Villages Laudun (Rhône) – Chewy, meaty, substantial. Light around the edges, but dark to the point of opacity within (that’s an organoleptic, not visual, assessment). Probably mature. (3/10)

Stradafied

Fromm “La Strada” 2002 Pinot Noir (Marlborough) – The hyper-masculine aggression of this wine has really been shed over the last year or so, which is something I didn’t expect to happen quickly or, in my more pessimistic moments, at all. It’s still no delicate flower, for sure, but now both the flavors and the overall body are something more recognizable as pinot noir, albeit still far, far on the fringes of the weight that’s typical from anyone else growing this grape in Marlborough. (Well, except maybe Glover’s, but that’s mostly about tannin.) The dusty, black-soiled elements are now met by freshening acidity, while a scowling array of berries must accept the presence of lighter, crisper elements in their midst. This wine, always so brutish in the past, is undergoing a fascinating transformation, but I wonder if I’ll have the patience to wait this story out to its denouement; I’ve only a few bottles left. (3/10)

Getariako sauce

Amesguren “Ameztoi” 2008 Getariako Txakolina Rubentis (Northwest Spain) – Full of leafy floaters – I’m assuming tartrates, but note that they don’t settle very quickly – and showing no signs of fatigue despite the precipitation. All the strawberry/strawberry leaf and zippy, fizzy punch are still present and vibrant. I often feel that this should be ladled from a large, ice-filled bowl rather than cooped up in a bottle. And I meant that affectionately. (3/10)

Salt & Pèpière

Ollivier “Domaine de la Pépière” 2008 Muscadet Sèvre & Maine “Sur Lie” (Loire) – Ripe shells, rounded bones. The dryness here is a fulsome dryness, and that makes all the difference in a wine that can, at times, be spare in the tune of void. I like this for drinking now, though I’m sure there’s no real hurry either. Classic Muscadet as it should be, rather than is, and the price is absurdly low for the quality. (3/10)

No MO

Mionetto “MO” Spumante “Sergio” Extra Dry (Veneto) – Soft, soft, soft. Prettified fruit and the suggestion of unidentified flowers. Pillowy. Did I mention this was soft? (3/10)

Re of sunlight

Bologna “Serra dei Fiore” 2008 Langhe Riesling Renano “Re di Fiore” (Piedmont) – Very ferric, austere, and long. One must like drinking both iron and steel, though. Interesting. (3/10)

Don't be an Asso

Bologna “Serra dei Fiore” 2008 Langhe Chardonnay “Asso di Fiore” (Piedmont) – Peach and citrus rinds. Straightforward. Nice. Hey, it’s only chardonnay, what more do you want? (3/10)

Ed Fiore

Bologna “Serra dei Fiore” 2009 Langhe “Il Fiore” (Piedmont) – Chardonnay and nascetta. Possibly some other grapes; it’s a little unclear amidst the din of a crowded room. Very aromatic – citrus flowers, apples (with skin intact) – and a pleasant hint of fatness. Well-formed. (3/10)

Monella Fitzgerald

Bologna “Braida” 2009 Barbera del Monferrato Frizzante “la Monella” (Piedmont) – Raspberry, apple skin, and needles. Short but fun. The aggressive acidity of barbera is utilized to excellent effect in a wine like this, even if this particular bottle is no more than middle-of-the-road. (3/10)

Luncheon meat

Bologna “Braida” 2008 Barbera d’Asti Montebruna (Piedmont) – Red fruit (mostly raspberry), clean and crisp. Long. Great purity of expression. This is the large Slavonian oak bottling, and it shows. (3/10)

Bacialé ball

Bologna “Braida” 2008 Monferrato Rosso “il Bacialé” (Piedmont) – Barbera with pinot noir, cabernet sauvignon, and merlot. Structured, very young, and completely dominated by dill, green coconut, and oak tannin. Yuck. (3/10)

Been a long time, been an Uccellone, llone, llone, llone, llone time

Bologna “Braida” 2007 Barbera d’Asti Bricco dell’Uccellone (Piedmont) – 15.5% alcohol, but not showing it except in overall size. Big fruit offset by apple and walnut skins. Very spicy. Not at all bad in its style. (3/10)

Bigottoa small

Bologna “Braida” 2007 Barbera d’Asti Bricco della Bigotta (Piedmont) – Big, with an intense core of fruit nearly obscured by layers of spiced coconut and vanilla. Radiates sophistication, but all that polish comes at a very woody price. Anyone have some Pledge? (3/10)

Suma cum (not) Langhe

Bologna “Braida” 2007 Barbera d’Asti “Ai Suma” (Piedmont) – Late-harvest barbera (that is to say, made from grapes that have desiccated on the vine). Dark. Heavy. Licorice-infused fruit, and a lot of it. Very Amarone-like in style, for sure, though the organoleptics are – aside from the licorice – different. I guess if one must have something like this, it’s a good example. (3/10)

Oscar Mayer

Bologna “Braida” 2009 Brachetto d’Acqui (Piedmont) – Pure strawberry, sour cherry, watermelon Jolly Rancher™. Fine acidity balances the light sweetness. Very nice. (3/10)

Making a Liste, checking it twic

Damilano 2005 Barolo Liste (Piedmont) – Roses – a surplus of them – with absolutely brutal tannin. There’s fruit, too: red cherry and strawberry. Also, bark and a cheese rind texture (not the spoilage or refermentation aroma, just a texture). Probably balanced in its idiom, but the twenty or so years likely required to bring the tannin down to something manageable…I just don’t know. I doubt there’s the complexity or fruit persistence to sustain that sort of timeframe. I guess we’ll see. (3/10)

Tippe Cannubi (and Tyler too)

Damilano 2005 Barolo Brunate Cannubi (Piedmont) – Even more muscular than the Cannubi, with a wallop of angular tannin, but better-balanced. Yet again there’s some syrup marking the midpalate, after which it finishes hard. Steroidal, and then dressed in designer duds. Will this ever be drinkable? And why the sheen in the meantime? (3/10)

Cannubi any more annoying?

Damilano 2005 Barolo Cannubi (Piedmont) – Laughing roses and the expected mass of structural tannin. Underneath, however, there’s a swell of New Worldish concentration that pretties this wine up a little more than is good for it. The finish returns to the hard, hard road Barolo often travels. There’s a good wine in here somewhere, but I don’t think it’s been dealt with as well as it might have been. (3/10)

All Aghõghē

Crivelli 2007 Monferrato Rosso “Aghõghē” (Piedmont) – Ruché and syrah. That’s a first for me, I think, and I’m surprised to find that it works. Smooth and leathery, with blueberry and blackberry paired. Micro-bead structure and lingering tannin. Quite long. Muscular but impressive. (3/10)

Crivelli full

Crivelli 2008 Ruché di Castagnole Monferrato (Piedmont) – Living up to ruché’s reputation as “red gewürztraminer” with its lurid aromatics and neon fatness. Cherry, pastille, and exotic weirdness. I wouldn’t want to drink it every night, but I kinda dig it. (3/10)

Crivelli laugh

Crivelli 2009 Grignolino d’Asti (Piedmont) – A brittle shell of a light red wine, with cold tannin encasing sharp acidity. Very severe. (3/10)

The Giai hypothesis

l’Armangia 2009 Moscato d’Asti “Il Giai” (Piedmont) – Very, very flowery. By-the-numbers moscato d’Asti. (3/10)

Beer?

l’Armangia 2006 Monferrato Rosso “Pacifico” (Piedmont) – Nebbiolo, merlot, freisa, barbera, cabernet sauvignon, cat, ’81 Volvo, and bits of the last 15 prime ministers of Italy. (No, no. I’m just kidding. Send the lawyers home.) Thick and very tannic, with a chewy, leafy structure. Dull. (3/10)

l’Armangia 2007 Monferrato Rosso “Macchiaferro” (Piedmont) – Acidic strawberries. That’s all I’ve written, so there must not be much more than that. (3/10)

Lurëi of sunshine

Il Falchetto 2007 Barbera d’Asti Superiore Lurëi (Piedmont) – A dramatic wine, and for a change that drama has been written by the authors Grape and Site, not the infamous ghostwriter Tonnelier. High-toned minerality dominates this wine, which is firmly-structured with graphite-textured tannin and great acidity. “Fruit,” such as it is, is dark and scowl-visaged. Very, very impressive. (3/10)

Fant, um, of the opera

Il Falchetto 2009 Moscato d’Asti “Tenuta del Fant” (Piedmont) – Very fresh, sweet, and pure. Orange and apple blossoms with bright malic acidity (or at least so it seems) and hints of cider. Really fun. (3/10)

Paradiso by the dashboard light

Il Falchetto 2007 Barbera d’Asti Superiore Bricco Paradiso (Piedmont) – Made from three very different sites from which the overall harvest lasts about a month, then given the sort of treatment a winery gives it’s “flagship” wine (that is: well over a year in barrique). Which means we all know what’s coming. Low acidity leaves roundness in its wake, and the tannin is extremely fine-grained. While the fruit is still of a reddish hue, it’s suave and sophisticated in the manner of…well, the name that immediately comes to mind is Gaja, and one may interpret that based on how one feels about that winery. There’s a bit of heat showing its reddened neck, as well. While it’s very good in the modern, “important” style, I don’t like that bit of heat, and I really don’t need yet another wine that tastes like this. (3/10)

Il Falchetto 2003 Barbera d’Asti Superiore Bricco Paradiso (Piedmont) – “Smells like an ‘03” comments a fellow taster. Tastes like one, too. Dense – almost syrupy – but still red-fruited (an achievement of sorts). There’s also heavy tannin that’s not quite ripe, and shows hints of dill and allegations of unresolved powder. Everyone (me included) talks about the heat and overpowering fruit of 2003, but it’s really the chewy, undeveloped, yet massive tannin that’s going to bring to many of these wines to an early demise, not the fact that they’re neutron fruit bombs. The finish is chalky sludge. I suppose this is OK for the vintage, but that’s not exactly high praise. (3/10)

Autumn neighborhood

Il Falchetto 2009 Langhe Arneis (Piedmont) – Very lush fruit in the banana realm, but there’s an edge to it that’s more plantain-like…something greener and less ripe, combined with a textural ripeness that suggests, but does not deliver, an element of tropicality; a sort of Musa equipoise, if you will. Crystalline minerality coalesces over the course of a fairly long finish. Balanced and quite nice, perhaps with the potential to be even more than that. (3/10)

Jim Mora

Il Falchetto 2007 Monferrato Rosso “La Mora” (Piedmont) – A blend of cabernet sauvignon, merlot, and barbera. The greenness of the first two grapes (in contrast to barbera, that is) really sticks its neck out here, and not in an unpleasant way. There’s minerality, good acidity – and now we can thank the home team’s grape – and while it’s not all bad given that it’s a blend for which I don’t have much personal use, milk and oak really stew up the finish. (3/10)

Zenyatta condatta

Paolo Marcarino 2009 Barbera d’Asti “Zeroincondatta” (Piedmont) – A no-added-sulfite barbera, one of the very few in the entire region (that is to say: I don’t personally know of another, but someone might). This is, compared to other barberas of the region – even the pushed-ripeness variety – very violet-purple in color…a color that one often encounters in the absence of sulfur, no matter which grape varieties are employed. There’s also the spiky brittleness expressed alongside a prickle of (pleasant) volatility that seems to come with the genre, and which I’m told derives from the particular sort of semi-carbonic fermentation necessary when working without sulfur. As for the rest: lavish acidity, fruit in the grapey/blueberry-ish range, and fine-grained, overtly crystalline tannin. It’s pretty, but there’s a hint of highly-tinted mascara (think Donna Mills in Knots Landing) to the attractiveness; not that I mean to suggest that the wine’s made-up or artificial, just that there are some showy, lurid aspects to its visage. Acid asserts itself as the finish progresses. I like this a great deal. (3/10)

Naked earth

Paolo Marcarino 2007 Barbera d’Asti Terranuda (pre-release) (Piedmont) – Made from vines planted in the 1920s, and enhanced by the addition of the pressed juice of dried-on-mats grapes; juice that comprises 20% of the finished wine. Post-fermentation, the wine receives its first dose of sulfur and is then put in barriques for one year. As with almost all dried-grape red wines, there’s a noticeable spike of volatile acidity that has a little bit of a slapfight with the dark, dusty aromatics. Despite its lifted beginnings, it’s a clenched fist of a wine, not overly marked by its wood, and delivers a long finish that grows juicier as it lingers. This needs time to expand and develop, obviously, but I think it will be impressive one day. Right now, it’s mostly just big. (3/10)

Dan with a chance of clouds

Paolo Marcarino 2009 Cortese (unfinished sample) (Piedmont) – I don’t know what the appellation for this wine is or will be. It’s still extremely cloudy (cross-flow filtration is in its future), made without the addition of sulfites, and it’s fabulous. It explodes in a burst of flowers and piercing, razor-edged acidity that lashes that palate like a cat o’ nine tails. Eventually, it narrows to a thin wedge of steel. I suspect that, once tamed for commerciality, there will be a little less ordinance here. But it’s fun while it lasts. (3/10)

Satano

Paolo Marcarino 2007 Moscato d’Asti “Lucifero” (Piedmont) – Paper scented with mercaptans, and not particularly sweet even within its genre. This reminds me a bit of a Léclapart Champagne, and it also reminds me that I’ve never liked Léclapart Champagne. Orange blossom and some freshly-fired ash contribute to the discussion, but only in monosyllables. Many of my fellow tasters like this, but I do not. (3/10)

Vignali ringwald

l’Armangia 2004 Barbera d’Asti Superiore Nizza “Vignali” (Piedmont) – Huge. Massive fruit layered with chocolate and mint. While this is balanced in its own hulkish way, I challenge someone to slip it into a blind tasting of Napa cabernet/merlot blends and then pick it from the lineup. Maybe the acidity would tell the tale, but I doubt it. (3/10)

Not-so-grand Titon

l’Armangia 2007 Barbera d’Asti Superiore Nizza “Titon” (Piedmont) – Syrupy fruit and alcohol. Were there such an English dessert as “sticky cherry toffee pudding,” this would be the perfect partner. Jam abounds, with infusion-like leaf bitterness on the finish. Very, very dense. (3/10)

Sopra winfrey

l’Armangia 2008 Barbera d’Asti “Sopra Berruti” (Piedmont) – Chocolate and lactic milkiness with only a rough stab at integration. Kinda flat, otherwise. Not very good. (3/10)

l’Armangia 2006 Barbera d’Asti “Sopra Berruti” (Piedmont) – Buttered fruit, dark raspberry jam, and spiky acidity. Alcohol prongs forth as well. The texture is somewhat unfortunate – Nutella and peanut butter – which just adds to the problems. (3/10)

Neon noeN

l’Armangia 2007 Monferrato Sauvignon “EnnEEnnE” (Piedmont) – Yes, yes, everyone has the same question: what does that mean? Roughly, “bastard child,” here a reference to the unusual (for the region) grape variety. Floral aromas, woodsy and a little bit woody as well, though it’s less of a prominent aromatic factor than it is a participant in the muting and restraining of other aromas. Fairly sticky and dense, with some heat evident. The texture is lavish, and without that alcoholic imbalance this could have been a more interesting wine than it ultimately turns out to be. (3/10)

Capitol

l’Armangia 2008 Piemonte Chardonnay “Pratorotondo” (Piedmont) – 70% stainless steel and 30% wood, sulfured only once at bottling. Shy, lending a brief glimpse of melon and lemon (the latter heavy on the rind) under the shade of an acacia tree. Kinda…eh. (3/10)

Rudolph

Castello di Razzano 2006 Barbera d’Asti Superiore Vigna Valentino Caligaris (Piedmont) – When I was in first grade, I was bitten by a dog. I had a heavily-bandaged and en-casted arm for a time, and I remember the incredible stench of trapped, humidified flesh and slowly-healing scar grunge that exploded forth when the cast was finally removed. Who knew they’d bottled that smell? The thermonuclear fruit device within helps mask the miasma, but not enough. (3/10)

Olmo famous

Costa Olmo 2006 Barbera d’Asti Superiore (Piedmont) – Dark cherry syrup, hints of licorice. Dead fruit. Dead wine. Dead taster, if I have to suffer many more wines like this. (3/10)

Litinia turner

Castlet 2006 Barbera d’Asti Superiore Litina (Piedmont) – Reminds me of New World pinot, which is at least an appealing improvement over the New World cabernet and New World shiraz I’ve been tasting of late. Pleasant, puppy dog fruit. Strawberries and cream. Breakfast at Wimbledon? Sure, why not? (3/10)

Marescialla cherry

Agostino 2006 Barbera d’Asti Superiore La Marescialla (Piedmont) – Bored now. Flat, depressed (and depressing) fruit which never goes much of anywhere. (3/10)

Falò you, Falò me

da Vino 2007 Barbera d’Asti Superiore “La Luna e I Falò” (Piedmont) – When I was a kid, I used to mix the bobbing remnants of Count Chocula™ and Frankenberry™ in my breakfast bowl, so as not to waste the yummy sugary fakeness. I survived without becoming a diabetic, to end up here…drinking the exact same thing. (3/10)

Lurëi, lurrah

Il Falchetto 2007 Barbera d’Asti Superiore Lurëi (Piedmont) – Menthol grappa, kirschwasser, and detergent. A world of no. Edited to add: tasted at the winery a few hours later, this will be the best wine I’ll taste all day, so what I’ve written here absolutely must reflect a damaged bottle. Or a damaged taster. Maybe both. (3/10)

Cinema

Il Falchetto 2007 Barbera d’Asti Superiore Bricco Paradiso (Piedmont) – Mint & rose hip jams, tangy. There’s a chewing gum element here that I can’t quite decide if I like or not. Finishes high-toned and herbal. Some eucalyptus, as well. (3/10)

Rustic flower

dei Fiori 2007 Barbera d’Asti Superiore “Rusticardi 1933” (Piedmont) – Chocolate, dark berry, mint, and some earth. Gravelly. A really sophisticated, polished wine with a pretty fair structure. It’s not my style, but still, I have to admit that I kinda like this one. It’s got class. (3/10)

Trump

Ivaldi 2007 Barbera d’Asti Superiore “1613” (Piedmont) – Jam and Nutella on toast. Very short. You’d think that if one is going to do this sort of stuff to a poor, defenseless wine, one would at least supply a finish. Then again, maybe that’s a blessing here. (3/10)

Gauche caviar

Araldica “Il Cascinone” 2007 Barbera d’Asti Superiore “Rive” (Piedmont) – Armpit and crotch. Yes, I just wrote that. No good at all. (3/10)

Araldica “Il Cascinone” 2006 Barbera d’Asti Superiore “d’Annona” (Piedmont) – Stinky feet marinating in barley. And there’s something uncircumcised and unclean about it. Yes, it’s that sort of bad. (3/10)

Little coc

Cocito 2007 Barbera d’Asti Superiore Violanda (Piedmont) – The fetid stank of horrid, diseased wood. Spoiled candy. One of the worst noses in a quality, non-experimental, or homebrew wine I’ve ever experienced. Pure candy on the palate. Pixy Stix are more authentic than this. They taste better, too. (3/10)

Ghersa, nosa

Pastura “La Ghersa” 2007 Barbera d’Asti Superiore Vignassa (Piedmont) – Dark fruit and – making a reappearance after a long absence – dark soil as well. But it’s all in the service of a chocolate/cherry layer cake. There must be good material here, but it’s being partially obliterated. (3/10)

To give & receive

Castello di Razzano 2007 Barbera d’Asti Superiore Vigna del Beneficio (Piedmont) – Very dark fruit ranging into the cassis realm, with some intrusive brett and spicy wood notes, plus coconut. And chocolate. Again. And again. And again. (3/10)

Muascae love

Pastura “La Ghersa” 2007 Barbera d’Asti Superiore “Muascae” (Piedmont) – Chunky black fruit, good acidity, lots of tannin, dark chocolate. I’m losing my ability to perceive wood or its absence in these wines, so I can’t tell if there’s any here, but the goopy chocolate (a bad thing) never goes away. (3/10)

Little castle

Castlet 2007 Barbera d’Asti Superiore “Passum” (Piedmont) – Mint. All mint. Mint tea, mint leaves, dried mint. But nothing other than mint. (3/10)

Altea what

Sant’Agata 2007 Barbera d’Asti Superiore “Altea” (Piedmont) – Full-throated fruit crying out for succor in a dark and seedy alleyway. Concentrated. Actually not bad at all, for a fruit bomb. Boom! (3/10)

Sant’Agata 2007 Barbera d’Asti Superiore “Cavalè” (Piedmont) – Absolutely identical to the same winery’s “Altea” but with the addition of a pleasant, minty complexity. Very good in this style. (3/10)

Do you Mombercelli like I remember celli?

Cantina Sociale di Mombercelli “Terre Astesane” 2007 Barbera d’Asti Superiore (Piedmont) – Milkshake. Pride-like (the winery, not a group of lions) in that, with blueberry and milky, malted chocolate well-evidenced throughout. So, so anonymous. (3/10)

Sei what?

Cantina Sociale Barbera dei Sei Castelli 2007 Barbera d’Asti Superiore Le Vignole (Piedmont) – Lavish, satiny fruit. Dark and gelatinized. Texturally mouth-coating, but finishes with more of that thick vanilla miasma that’s ruining so many of these wines. (3/10)

Helmet

Boeri 2007 Barbera d’Asti Superiore Martinette (Piedmont) – Dark, dark, dark…fruit, wood, acorns, leaves, bark, nuts. Is there some salt here, as well? Very odd. Tastes like Barossa shiraz, albeit lighter. (3/10)

Pörlapàland

Boeri 2007 Barbera d’Asti Superiore “Pörlapà” (Piedmont) – Very fruity. It’s black, concentrated fruit, in fact, chunked up by seeds and stones, then slathered with tannin and vanilla. Finishes thoroughly brutalized by its élevage. (3/10)

Sweet Moliss, a

Agostino 2007 Barbera d’Asti Superiore Moliss (Piedmont) – Bark and dill, chewy dark fruit, fine particulate tannin, and graphite. Except for the weirdness on the nose, this could actually be a good – albeit dark – wine. (3/10)

Peter Falk

Cisa Asinari dei Marchesi di Gresy 2006 Barbera d’Asti Monte Colombo (Piedmont) – This shows very different fruit than any other wine in the room: strawberry powder with Starburst-like qualities. Watermelon, as well? There’s no doubt that it’s very odd. (3/10)

Gresy spoon

Cisa Asinari dei Marchesi di Gresy 2007 Barbera d’Asti (Piedmont) – Sour cherry, dill, vanillin, and overworked fruit. (3/10)

Odd der o?

Oddero 2007 Barbera d’Asti (Piedmont) – A massive spanking of black raspberry jam. A fruit neutron bomb. Yes, yes, OK, congratulations, but everyone can do this. Why does it have to be done here as well? Edited to add: and this is from Oddero? I’m shocked. Gobsmacked, in fact…and in more ways than one. (3/10)

Four

I Quaranta 2007 Barbera d’Asti “Asia” (Piedmont) – Dark chocolate with spiky acidity. Is that raspberry marshmallow? Sure, why not? Wood and acid aren’t a combo I much appreciate. (3/10)

Crea teen

La Tenaglia 2007 Barbera d’Asti Bricco Crea (Piedmont) – Full-on jam. Rock & roll fruit. Good in its style, I have to say, but that style is not mine. (3/10)

Tenaglia Atreides

La Tenaglia 2007 Barbera d’Asti “Giorgio Tenaglia” (Piedmont) – Oh milky, syrupy travesty of chocolate…why are you in my glass? (3/10)

Butterfly

La Fiammenga 2007 Barbera d’Asti (Piedmont) – Dill, mint, graphite soil. This is what New World cabernet should taste like, albeit with less of a green tinge to the wood. (3/10)

La Fiammenga 2007 Barbera d’Asti Superiore “Paion” (Piedmont) – Flat-aspect fruit, low-ebbing and dull. Seems tired more than anything else, as if the fruit is simply fatigued after being subjected to overt effort. (3/10)

Halfway there

La Meridiana 2007 Barbera d’Asti Superiore “Tra la Terra e il Cielo” (Piedmont) – Lavish dark fruit in whole-berry, jam, and jelly form, with tannin and a hard shut-down of wood on the finish. Starts showily, but ends unpleasantly and in complete disarray. (3/10)

Trained

La Pergola 2007 Barbera d’Asti Superiore Cappelletta “Vigne Vecchie” (Piedmont) – Chunky. Lacquer and paint with a varnish of…no, sorry, I can’t bear to continue. It’s just not worth it. (3/10)

No so buona Serra

Vinchio-Vaglio Serra 2007 Barbera d’Asti Superiore “Vigne Vecchie” (Piedmont) – Tedium in the form of overworked dark fruit. Wood and tannin, tannin and wood. (3/10)

Aliens who eat cats

Marchesi Alfieri 2007 Barbera d’Asti “La Tota” (Piedmont) – Milk and dark chocolates. Overly dense and just no fun. (3/10)

Marchesi Alfieri 2007 Barbera d’Asti Superiore “Alfiera” (Piedmont) – Good, solid fruit. Thick structure, dense with tannin and chocolately oak. Milkshake and wine coexist here, which isn’t entirely bad for those who like that sort of thing. (3/10)

Gladiator

Marcaurelio 2007 Barbera d’Asti Terranuda (Piedmont) – Lots of dark fruit that overcomes the paper and wood. Sorta. Not entirely. (3/10)

Vignasona Landreth

Cantina Vignasone 2007 Barbera d’Asti (Piedmont) – Brooding, with equal parts scowl and mysterious smile. Some tar beneath and above, and then the wine gradually turns to cement. There’s some intense black fruit before that, but man does this harden quickly. (3/10)

Cantina Vignasone 2007 Barbera d’Asti “Selezione” (Piedmont) – Bread and paper, Styrofoam and fake fruit. Coconut. More rum. Ugh. (3/10)