Free Radikon

Radikon 2003 Ribolla Gialla (Venezia Giulia) – Creamy, with that odd tension between stone fruit and ripe red berries that so often marks this grape when made in this fashion. There’s skin tannin, but it’s milder than normal (possibly a consequence of the vintage, though if so it runs counter to the excess/underripe-tannin problem that plagues so many 2003s), and while the wine feels heavy on the palate, it lightens considerably by the time the finish rolls around. A good, not great, Radikon ribolla, but considering the elevated starting position there’s no real shame in that. (3/10)

Anfora next trick...

Gravner 2001 Ribolla Gialla “Anfora” (Venezia Giulia) – Restrained, to such an extent that I wonder about sub-detectable TCA. And then, after a few more sniffs, I wonder no more. Corked. (10/07)

Gravner 2001 Ribolla Gialla “Anfora” (Venezia Giulia) – Elegant honeysuckle and wax with minor citrus elements. Surprisingly indifferent, which is not an experience I’ve ever had with this (or any other) Gravner amphora wine. It’s good, but it’s oddly pedestrian. Maybe something to do with drinking it at sea level? Barometric pressure, perhaps? Lunar phases? Roman ghosts that disapprove of Greek winemaking vessels? Whatever the cause, it’s a transparent shadow of its usual self. (10/07)

Jer the mann

Jermann 1996 Pignolo “Pignacolusse” Campi dei Fratti e Monache (Venezia Giulia) – Just now approaching its mature phase, though it’s still very early in that stage. Aromatically, it’s as if someone blended the bright berries of gamay and the cedary greenness of cabernet sauvignon. I don’t want to say it’s volatile, but it’s a bit “lifted,” which I guess is sort of a code for a minor case of the same…though in this wine, it’s more of a contributor to the overall complexity than it is an identifiable flaw. Berries darken at the core, wrapping their skins about themselves for tannic chew and texture. A long, solid finish brings the journey to a close. Very interesting. (10/07)

The needle & the Damijan

Damijan 2004 Bianco Kaplja (Venezia Giulia) – 14.5% alcohol, and I suspect that the label’s suggestion to serve the wine at 59°F is related to that number. This is wrong; the wine is far too structure-dominated at that chilly a temperature, and needs to be warmer. Mandarin orange, peach flowers, and chamomile abound. Mildly tannic, and fairly devoid of acidity; at any temperature, this isn’t my favorite of the orange wine set, for it’s a little soft around the edges. (7/09)

Arz & mine

i Clivi di Ferdinando Zanusso 2004 Bianco degli Arzillari (Venezia Giulia) – Made from verduzzo. Served from two different bottles. The first has been open for a while, and it shows, with an oxidative, ribolla-like brownout flatness to the palate, yet retaining a good deal of spice and baritone hum. The second is from a fresh bottle and much livelier, yet still with the weight of something more rich than crisp, a fuzzy-edged structure, and a fairly long yet mildly anonymous finish. This is an interesting wine, but I suspect verduzzo is of a little more utility in the winery’s more famous blends. (12/09)

Jakot, colonel

Radikon 2003 “Jakot” (Venezia Giulia) – Some alcohol here, plus pear and raw, exposed metal. Fat. The heat lingers into the finish. (7/09)

Trump

Radikon 2001 Ribolla Gialla (Venezia Giulia) – Tight, metal-jacketed plum. A bit hot, which is something I’ve not previously experienced from this wine. Somewhat indifferent. Perhaps an off bottle (or an off taster). (7/09)

Radikon 1997 Ribolla Gialla “Riserva Ivana” (Venezia Giulia) – Soft fullness and salty white soil. Seems more mild-mannered than it actually is…there’s a fair bit of complexity and depth…but the wine’s gentle in every aspect. There’s a very slight edge of heat creeping into the margins, but otherwise all is seamless. This isn’t aging so much as cohering, and in a very appealing way. (7/09)

In the year MM4

Vodopivec 2003 Vitovska (Venezia Giulia) – Big blood orange, juiced and pumped full of oxygen (by which I don’t mean oxidation, nor microbullage, but a breath-inducing vivacity), with a core of steel and walnuts on the finish. Powerful. (7/09)

Vodopivec 2004 Vitovska (Venezia Giulia) – Clementine and aluminum. Fat. Short. And disappointing. (7/09)

Vodopivec 2004 Vitovska “solo | MM4” (Collio Goriziano) – Direct and forceful, but to what end? The power seems in service of vanishingly little. Maybe it’s just shy, but this is a rather intense void at the moment. Perhaps it’s a singularity of some sort. A black An orange hole? (7/09)

Go Bregging

Gravner 2001 “Breg Amphora” (Venezia Giulia) – Bitter almond and apple, with tight layers of complexity and minerality pressed together like an Austrian pastry. There’s a swaggering confidence to this wine that few others of its type can pull off. Yet this is not to say that it’s better, necessarily, just that it’s more overtly self-assured. (7/09)

Ribolla strike

Gravner 1997 Ribolla Gialla (Venezia Giulia) – Heavy, but it’s a good weight. Lush with mandarin-scented Madeleine, plus cotton candy whipped with tart threads. There’s a slightly bitter, Campari-esque note which seems like it should be an “off” character, yet the wine benefits from the counterpoint. This is aging very nicely, and while it doesn’t seem to be showing signs of decline, it’s very likely that I have no idea what those signs might be for this particular wine. (7/09)

Gravner 2000 Ribolla Gialla (Venezia Giulia) – Sweet yellow cherry with some oddities I can’t quite identify. Whatever’s going on, it’s tasty enough but a little distracting. Long. (7/09)

Gravner 2001 Ribolla Gialla “Amphora” (Venezia Giulia) – Slightly bitter, and this time the bitterness takes the form of vanilla, especially on the backpalate. Leafy. A sharp left turn from the pre-amphora ribollas. (7/09)

Radikon job

Radikon 2002 Venezia Giulia Ribolla Gialla (Friuli-Venezia Giulia) – While it’s never entirely clear what sort of wine one is going to get when one removes the tiny, Virginia Slims-sized cork from a bottle of Radikon, anticipation of the unexpected more than makes up for the lack of predictability. That said, any expectations one might have for this bottle are pretty much detonated at first sniff. And no, I do not mean that negatively. This wine is as explosive as the beverage can get…not in the goopy, thermonuclear fruit device fashion so popular among certain subsets, but in its mushrooming billows of complexity and evolving structure. Deep bronze in color and in sheathing, then wrestling free of its jacketing with lava flows of slow-baked stone fruit (leaning towards the tropical…let’s say papaya, more for the fun of naming an actual fruit than from any commitment to organoleptic accuracy), then pulsing in gravitic undulations of aromatic expansion and structural contraction. To a certain extent, most wines made in this fashion are “red wines,” but this is redder than most, and the deep, autumnal aromas that dance around the perimeter lavishly Burgundian. Honestly, this is breathtaking, a sure-fire cure for vinous ennui, and sufficient reason all by itself to make wine a part of one’s life. (4/09)

Here's to my sweet tokaj

Radikon 2005 Venezia Giulia “Jakot” (barrel sample) (Friuli-Venezia Giulia) – Fresh and light. Makrut lime poured over rocks. Simpler than the other wines, with a straightforward flavor. Already seems fairly complete. Long. (10/07)

Radikon 2006 Venezia Giulia “Jakot” (barrel sample) (Friuli-Venezia Giulia) – Pine, fresh bread, and papaya. Well-balanced and long. Perhaps a hint of reduction as well, which seems unlikely for this wine; perhaps I’m misidentifying something. (10/07)

Radikon 2003 Venezia Giulia “Jakot” (Friuli-Venezia Giulia) – Explosively aromatic, though precisely what’s in the shrapnel is difficult to pin down. Dried fruit, perhaps. Lush, fun, and fulsome. (10/07)

Radilot

Radikon 2004 Venezia Giulia Merlot (barrel sample) (Friuli-Venezia Giulia) – Fig, bubblegum, and some volatile acidity. There’s agreement on this latter point, and so we try again from a different container. (10/07)

Radikon 2004 Venezia Giulia Merlot (barrel sample) (Friuli-Venezia Giulia) – Meatier and fuller than the first sample, with no significant volatile acidity. (10/07)

Radikon 2003 Venezia Giuli Merlot (barrel sample) (Friuli-Venezia Giulia) – Perfumed. Black cherry, blueberry, nut skins. Big tannin, yes (in that, it’s reflective of its year), but there’s a vintage-specific sort of balance to the wine. Long. Very good. (10/07)

Orange pesto

Radikon 2003 Venezia Giuli Pignolo (barrel sample) (Friuli-Venezia Giulia) – Very tannic, with dusty, dark berries. Needs a lot of time, but given the gravitational core of concentration within, it could be a stunner. Or it could fall apart under the weight of its structure. It’s difficult to say at this stage. (10/07)

Radikon 2004 Venezia Giuli Pignolo (barrel sample) (Friuli-Venezia Giulia) – Meat with a hint of char, herbs, and softer tannins than the 2003. Lighter and more angular. Somewhere in between this and the 2003 would seem to be the ideal range for this grape’s inherent qualities, but then again these wines aren’t (to my knowledge) being released, so who knows? (10/07)

Cole Oslavje

Radikon 1997 Venezia Giulia “Oslavje Riserva Ivana” (Friuli-Venezia Giulia) – Smoked, sun-baked minerals (seriously) and mirabelle plum. Youthful and so, so long. Piercing, and yet prettily sweet (not, I think, from residual sugar). Brilliant. (10/07)

Radikon 2002 Venezia Giulia “Oslavje” (Friuli-Venezia Giulia) – Spicy and full-bodied, lush with cream , but with a contrapuntal midpalate bite. Strong and complex. Tastes more vibrant, somehow, than it does in the U.S….not that this result is much of a surprise, given the fidgety vulnerability of its chemistry, which can seem to be (but is not) belied by its brash iconoclasm. (10/07)

Radikon 2005 Venezia Giulia “Oslavje” (barrel sample) (Friuli-Venezia Giulia) – Tannic (big surprise), sauvignon-dominated, and full of fruity tropicality. (10/07)

Radikon 2005 Venezia Giulia “Oslavje” (barrel sample) (Friuli-Venezia Giulia) – Take two, from a different barrel. And, of course, completely different. Very floral, round, and full-bodied, with peaches. Also, dried honey laden with beeswax (which is also a textural impression). Huge, but complete. Rather impressive. (10/07)

Radikon 2006 Venezia Giulia “Oslavje” (barrel sample) (Friuli-Venezia Giulia) – Grapefruit. Big – actually, almost fat – with solidity and length. There’s a significant vinyl element (both aromatic and textural) that I don’t quite understand, though. (10/07)

Gialla de Laurentiis

Radikon 2001 Venezia Giulia Ribolla Gialla (Friuli-Venezia Giulia) – A bit shy (do these wines even have a closed period?), with a comparatively silky texture and a softer finish than has been the norm in other vintages. Lovely and balanced, but reticent. (10/07)

Radikon 2007 Venezia Giulia Ribolla Gialla (barrel sample) (Friuli-Venezia Giulia) – Tight and yet as beautifully weird as expected; no reason not to jump in with both Dadaist feet and fight through the cobwebs. Tannin is the initial impression, followed by apricot and cream, then a sweet, brioche-like character. Very long and dense, but identifiable components are mere teases at the moment. The wine’s still hard, though its future character can be glimpsed. (10/07)

Radikon 2006 Venezia Giulia Ribolla Gialla (barrel sample) (Friuli-Venezia Giulia) – Matchstick, chamomile, minerals, and the light bitterness of over-steeped tea leaves. (10/07)

Radikon 2005 Venezia Giulia Ribolla Gialla (barrel sample) (Friuli-Venezia Giulia) – Fruit salad heavy on the pineapple, with tannin and spiky acidity. Citrusy and linear. Needs to settle down. (10/07)

Radikon 2004 Venezia Giulia Ribolla Gialla (barrel sample) (Friuli-Venezia Giulia) – Golden. Apples and citrus, with clean tannin. (10/07)

Vodofone

Vodopivec 2004 Venezia Giulia Vitovska (Friuli-Venezia Giulia) – Even more orange than most of its “orange wine” cohort. But it still brings the insanity. Tannic as hell. Cloudy. Plus: citrus rinds, green olives, very old almonds, a touch of ammoniated walnut. And is that lard that I smell? Incredibly dense, complex…and, as usual, it’s impossible to get a real handle on a wine like this. It just defies every expectation, even when one knows what to expect. (3/09)

Free Radikon

Radikon 2002 Venezia Venezia Giuli “Oslavje” (Friuli-Venezia Giulia) – Controversial…and, of course, halfway to opaque with unfiltered goodness. There’s a light sweetness (which may instead be deceptively ripe fruit, or even something else; I’ve given up technical analysis on wines of this type) that’s quickly overwhelmed by a strong shower of pine needles – both the aroma and the tactile sensation – that almost, but don’t quite, edge into Pine-Sol territory. Spiced and candied oranges intrude somewhere in the mix as well, though their precise points of entry and departure remain elusive. I kind of love it, but not everyone at the table does. (8/07)

In dreams

Jermann 2005 Venezia Giulia “Were Dreams…” (Friuli-Venezia Giulia) – Fig and peach. Nice acidity. Pure, sunny, clean, and short. It’s good, but it’s not all that interesting. (2/08)

Oslavje, I hardly knew ye

Radikon 2001 Venezia Giulia “Oslavje” (Friuli-Venezia Giulia) – Hugely complex, showing waxed almonds and other nuts, mixed Indian spices, corn…well, this is the sort of thing where I could go on all day. I won’t. Massively intense and intensely interesting, but still so, so young. (1/08)