Saula

Kathy Lynskey 2005 “Single Vineyard” Gewürztraminer (Marlborough) – Which vineyard is going solo here? Ms. Lynskey doesn’t say. But while Marlborough is not, historically, New Zealand’s premiere bid at spicy stardom, my long-standing argument – really, I’ve been on this kick since the 90s – that the Long White Cloud is the next-to-Alsace-best source of full-throttled gewürztraminer is not belied by this wine. No, it’s not near the top of the heap. Yes, it’s just a little long in the tooth (it’s always worth remembering that New Zealand’s clonal material is, in general, absurdly young and frequently suboptimal), but what’s left is a coal-soaked study in bacon-fried lychee and drying, almost “orange wine”-like skins. There’s no lushness here, nor more than a token nod at what was, once, probably a noticeable softening from residual sugar. But it was still probably a dry-intentioned wine in its youth, and it most certainly is now, and that’s not always found in tandem with this sort of spice; usually, dry gewürztraminer outside of Alsace can rise to no more aromatic plateau than rose petals. So…a lot of words, not much of a conclusion. Here’s one: if it’s cheap (and this certainly was; I catch a whiff of “inventory clearance” from this bottle), one could really do a lot worse. (10/11)

I once drank a wine named Maria

Villa Maria 2001 “Noble Late Harvest” Riesling (Marlborough) – 375 ml. Mixed apples, honeydew, and spikes – powerfully-hammered spikes – of acidity. Which are necessary, because the wine is intensely, almost neon-sweet, in a showily botrytized fashion. I think this is a really extraordinary wine when it’s fully mature, which this is probably a decade or more from achieving. (10/11)

Fromm here to eternity

Fromm “La Strada” 2001 Pinot Noir (Marlborough) – Extremely difficult and sullen. For about thirty minutes I worry about low-level cork taint, for the next thirty minutes I struggle to peer into an opaque glass of murky berries and thick leather, and for the thirty minutes after that I try to figure out of this has just died very quickly (previous bottles were quite expressive, albeit structurally primary), has inexplicably re-closed…or, then, there’s that low-level taint question again. Well, whichever. It’s possible to appreciate the tiny bit this wine gives, but it’s not really possible to appreciate the wine. (10/11)

Galactica

Donaldson Family "Pegasus Bay" 2007 Riesling (Waipara) – Sweet lime and grapefruit, and getting just ever so slightly nervy, which is a quality that this solid, reliable wine doesn’t achieve all that often. I don’t know if it’s just a stage or a vintage effect, but this is suddenly more interesting than it was earlier this year. There’s more here, but it’s mostly hidden in a textural monoculture right now, and time will be required to tease out those nuances. (9/11)

Feet of Clayvin

Fromm “La Strada” 2001 Pinot Noir Clayvin (Marlborough) – Cooked. A recent purchase, so not indicative of properly-stored bottles. (9/11)

I Felton itch

Felton Road 2007 Pinot Noir (Central Otago) – I don’t know if the expanding range of single-site pinots being produced at Felton Road are changing the nature of the basic wine or not, but it seems a little simpler than I remember. Simpler, but fuller, so there’s a tradeoff in both good and less good ways. Here is the more familiar plum, beet, orange peel of the Central Otago, without the poise that the entire range used to show, but with more generosity. It’s quite tasty, whatever the circumstances of its birth. (8/11)

When the Schuster crows

Schuster 2006 Riesling (Waipara) – Creamy corn silk and rounded, polished rocks. Fully mature (though I doubt it's in danger of falling apart), long, and quite delicious. (8/11)

Rabbit-proof wine

Rabbit Ranch 2007 Pinot Noir (Central Otago) – Powerfully-concentrated neutron fruit, jammy and over-polished. Just too much. Those who insist that “wine is all about fruit, because grapes are fruit” will find all the mindless onanism here that they could ever want. (7/11)

Wither Canada?

Wither Hills 2005 Pinot Noir (Marlborough) – Hits all the classic Marlborough notes of reddish fruit, spiky acidity, and a green-tinged edge. Unfortunately, those classic Marlborough notes can be, and have been, surpassed by a fair number of much better wines. This is too paint-by-numbers. (7/11)

Postcards

Escarpment “Over the Edge” 2009 Pinot Noir (Martinborough) – Bitter cherry, more rind than flesh, with a greenish herbal note. I don’t particularly dig this. (6/11)

Bone

Dry River 2008 Gewürztraminer (Martinborough) – Sneaky. Starts off very shy, then gradually opens; the ideal temperature, at least from a “cold” opening, is somewhere a little higher-temp than might be ideal for most gewürztraminer. Is what appears to be a lowish alcohol vs. the gewürztraminer norm a factor? It might be. The aromatic range includes rambutan and some stone fruit, nut oils, and roses, but everything is nicely restrained…even delicate…in comparison to the weighty power of which the grape is capable. Off-dry, but just that; this is in no way overtly sticky. Finishes long and a little tingly, with the promise of minerality to come. As the gewürztraminers of Alsace get heavier and sweeter, this is a nice respite. (2/11)

Ride UPS

Mount Brown 2010 Sauvignon Blanc (Waipara) – Mineral-driven, which is to the good, with little tropicality and also no overt pyrazines. Unfortunately, lacking either and not having aught other than some rocks in their place, it’s wan. There could, and should, be more. I suppose I’d be kinder were this made from a less aggressive grape, but while I adore mineral qualities in my sauvignon blanc, it’s a grape that I think should bring some of its own expressiveness to the mix. Here, it doesn’t. (2/11)

Brancott flakes

Montana “Brancott” 2007 Pinot Grigio (North Island) – Quite sweet, and that’s very nearly the entirety of its character. (11/10)

Ata boy

Ata Rangi 2001 Syrah (Martinborough) – Aging faster than the pinot noir from the same house and year, which is probably a combination of site and vine, but could also just mean that more stake is placed on the success of the pinot. A well-read and somewhat intellectual wine with bushy eyebrows, seated in a well-worn leather chair in the corner of a dark, smoky drawing room, dusty tomes and old pipes strewn about the surrounding tables. I don’t know if I’d call it fully mature, yet, but it has probably learned all it is going to from its maturation, and the future might hold more unpredictability. This is the best aged New Zealand syrah I’ve had, but since that personal category is largely unpopulated there’s not much to that qualification. Perhaps more important: it was worth aging. (10/10)

Jack

Rippon 2001 Pinot Noir (Central Otago) – Still fruity (figs, mostly, which is an interesting place for a pinot noir to go), though there’s some concentrated plum hanging about as well. Tastes warm in the way New World versions of this grape often do, and about as mature as I think one would want it; tannins have fully softened but acids are not yet exposed. The finish, which hints at licorice but never quite gets there, is surprisingly long. This was a wine I underestimated when I tasted it at release, thinking it more simple-minded than it turned out to be. (9/10)

Fromm here to eternity

Fromm “La Strada” 2001 Pinot Noir Clayvin (Marlborough) – As mature as one would want it, I think. The berries, strong and lavishly-structured, have not fully developed into something more autumnal, but those equinoxal notes are present, the tannin is still a throb but no longer deadening, and there are baked and sunset aspects to both aroma and finish. This turned out not to be the ager I might have predicted (though this bottle is from a recent store closeout, and thus of doubtful provenance), but has turned out to reward what aging it has accomplished. (8/10)

Fromm “La Strada” 2001 Pinot Noir Clayvin (Marlborough) – Almost exactly like the previous bottle, except with more fruit-to-underbrush development, and a more appealing texture. (8/10)

Harriet & Nels

Olssens 2002 Pinot Noir Slapjack Creek (Central Otago) – 14%, and showing every bit of that plus some more as a bonus. Unquestionably on the downslope, and though it’s not too far along it in terms of fruit development (there’s the usual leathering of the berries, plus some tarry hints of autumn), a rapid separation from the alcoholic power inside the wine has rendered it more than a little Scotch-y. This was never a great wine, but it was certainly more appealing at release. Drink up. (7/10)

Split decision

Donaldson Family “Main Divide” 2005 Riesling (South Island) – Citrus leaf, lemongrass, good acidity and just enough sweetness for balance. Simple, sunny. (7/10)

Donaldson Family “Main Divide” 2005 Riesling (South Island) – Ripe green apple, hints of grapefruit, Asian aromatics…but really, all more simple than that. And good. Tasty. Fun. (7/10)

Mb

Mt. Difficulty “Roaring Meg” 2008 Pinot Noir (Central Otago) – Second-label and cheaper Otago pinots are either surprisingly good or flawed in a regionally-representative way: too much weight and alcohol. Here, while there is some alcohol on display, it’s not because the wine is too weighty. On the contrary, it’s wan, tired, and uninteresting. It reminds me of one of those Eastern European pinots that used to show up in educational blind tastings a few decades ago, just to wrench the works (“betcha can’t guess that this is from Bulgaria, tee hee”) in that I while I understand how it got made, I don’t understand how it got purchased, shipped to foreign markets, and given valuable shelf space. (5/10)

Grand

Black Ridge 2003 Pinot Noir (Central Otago) – Sweet red beet and blood orange concentrate. Stemmy. Walnut skins and dirt suffused with ash. The sensation of excess acidity this wine had in its youth is only a memory at this point. Pretty good – certainly better than it was at release – but I don’t know if I’d hold this any longer. (6/10)