Dell'icate

Valle dell’Acate 2009 Il Frappato (Sicily) – Less adventurous or aspirational than the ones I’ve been drinking from Occhipinti and COS, but still utterly refreshing; like spiky young Beaujolais, except with more flowers and less squeezed-berry fruit. Volcanic? Maybe the power of suggestion. But it’s absolutely delicious while not quite allowing itself to be thirst-quenching...fun, but not too fun. (8/11)

Summer of '68

Occhipinti 2010 “SP68” Bianco (Sicily) – Sweaty (good sweat) crystalline stone fruit and flowers. Heavy, but sitting atop a strong updraft. It’s a little difficult to get to know, but maybe a few more dates are required. (7/11)

COS & effect

COS 2008 Frappato (Sicily) – My hand-in-your-wine-geek-card secret is that, bottle for bottle, I prefer this to the middle initial’s neice’s frappato, due to a more developed and complex character and far fewer problems with brettanomyces and/or volatility. I think there’s more upside potential in Arianna’s wine, but it’s not realized consistently enough (and I should note that I’m speaking only of the frappato here, not the range). As for this version, black raspberry and boysenberry snap crackles with energy without bursting beyond its boundaries. There’s dusty black earth with gentler grey tones and a long, welcoming finish. An assured wine. (8/11)

Nere, a word

Terre Nere 2006 Etna Rosso (Sicily) – Without tasting blind, it’s impossible to know how actual the loquaciously ashen foundation of this wine is suggested by identity rather than taste. But taste it is…textural layers and swirls of ash-cloud minerality, rich…almost luxuriant…dark fruit, with a certain polish and sheen, but not too much of either. Incredibly lovely right now, albeit Euro-masculine, with an unquestioned future. Not for the delicate of palate, though. (5/11)

Me & Florio down by the schoolyard

Florio 1993 Marsala Vergine “Vecchioflorio” (Sicily) – Tepid. The wan aroma of old, tarnished metals and preserved fruit soon gives way to a vague sort of gesturing in lieu of actual presence. Texturally it’s better, wrapping the palate in liquid silk. The finish broadens somewhat, and the wine’s push towards dryness (it is not dry) is to its benefit. But in the end, it just doesn’t amount to all that much, other than its hefty whack of alcohol and the impression, if not the actuality, of gravity. I miss Marco di Bartoli more and more with each passing Marsala. (5/11)

Jeudi, Jeudi, Jeudi

Vino di Anna 2009 “Jeudi 15” (Sicily) – Carbonic (at least, what one imagines a carbonic wine to taste like) and crisp. Apple (skin on), raspberry, red cherry. Vivacious, irresistible. I love this. (3/11)

Marion

de Bartoli “Vecchia Samperi Ventennale” Vino Liquoroso (Sicily) – A wine of tension. This strikes me as amusing, since I’m sure it would be characterized as a wine of meditation on many Italian lists. But it’s that settled uncertainty – is it trying to be sweeter or drier? is it a Marsala or not? – that’s this wine’s brilliance. Complexity defined. A jumble of bones, rocks, nut oils, and differing shades of late afternoon. Long. Incredibly long. Really brilliant. (3/11)

One more

Occhipinti 2008 “SP68” (Sicily) – Corked. (2/11)

Nere a word

Terre Nere 2009 Etna Rosso (Sicily) – Heavy and inertial. Trying to get into the core of this wine is like trying to roll a flat-surfaced rock downhill…there’s stuttering progress, but mostly there’s a lot of motionlessness. Volcanic, yes (as ever, I wonder about the power of suggestion here, as the wine was not consumed blind), with sludgy black fruit struggling beneath a thick barrier of black noise. There are many positive things one could say about individual aspects of the wine, but the whole is on the other side of event horizon. Age? I should hope so, because if not, only those whose nightly diet is of stegosaurus and woolly mammoth cooked over open bonfires on the end of wooden spears will have much use for this. (1/11)

One more

Occhipinti 2008 “SP68” (Sicily) – Outrageously drinkable. Quaffable, even. Gluggable. Slurpable. Etc., etc., etc. Were it about half the cost, I’d request that this be piped into my house in lieu of public water. Pure liquid joy. (9/10)

The COSby show

COS 2007 Frappato (Sicily) – Volatile acidity, first and foremost. Thankfully, it fades a bit, and then there’s strawberry and grayish-white minerality. A very delicate wine. The minerality grows with air, but I’d like a little more aromatic interest here. Juicy acidity. The finish is a little reminiscent of a prune eau-de-vie. (5/10)

COS & effect

COS 2007 Cerasuolo di Vittoria (Sicily) – Delicious. There’s a shyness, but it’s not that the wine’s holding anything back. Rather, it teases and asks you to come to it, rather than the opposite, but the reward is an enveloping, seductive softness of rich, warm southern fruit…not heavy, not dark, not understructured, but definitely not Alpine or Teutonic in nature. Slowly-unfolding layers of earth and sapid fruit are the reward for boldness and patience in equal measure. Yum. (2/10)

Lipari suction

Colosi 2005 Malvasia delle Lipari (Sicily) – From 375 ml. Less concentrated and floral than Hauner’s version, with more of a metallic edge unfolding within the sweetness. That said, it’s still fairly dense. Tastes better than it smells. (2/10)

Jo bleo

Gulfi 2007 Nero d’Avola “Rossojbleo” (Sicily) – Dark, and not just in terms of fruit (which is extremely dense), but also minerality and general mood. I think I taste black ash soil here, but that could just be the power of suggestion; I’m sure, however, that the soil component is significant. The wine’s heavy, to be sure, and neither traditional nor thoroughly modern. It’s probably not for everyone, but neither is it some individualistic outlier. I’d like to give it some time in the cellar, to see what happens, but the synthetic cork prevents that. (8/09)

Stop, look, Cornelissen

Cornelissen 2007 “MunJebel 4” Bianco (Sicily) – Pine, melting cedar candle, orange rind, and coal. There’s a medium-toned brown hum to the wine, but a sharp declension on the finish; with a little more linger, this could be a star. As it is, it’s merely fascinating, but the fascination is brief. I somewhat preferred a 3 (from 2006) tasted earlier this year. (7/09)

Gulfi Annan

Gulfi 2007 Cerasuolo di Vittoria (Sicily) – A mix of red and darker fruit, shouldery and fairly powerful, yet with enough restraint to avoid being boisterous or overblown. There’s a dark core of soil and rock here, slightly lava-esque, but the concentration of the fruit that surrounds it doesn’t allow much penetration at present. Full and muscular, with aging potential. (6/09)

Frank Nobile

Fià Nobile 2007 Cerasuolo di Vittoria (Sicily) – Spiderwebs of red fruit that come off as insistent, but are actually rather soft-hearted. Volcanic dust, as well? Yes, some (alongside more organic brown earth), and this is a wine with a fair measure of soil amidst the berries. Balanced and highly approachable. Yum. (6/09)

Carbonated

Pellegrino 2007 Passito di Pantelleria (Sicily) – Perfume and pine with a shot of sweet clementine nectar. Simple and tasty, with a little bit of suntan lotion. (6/09)

Stop, look, Cornelissen

Cornelissen “MunJebel 3” 2006 Sicilia Bianco (Sicily) – A blend of carricante, grecanico dorato, and coda di volpe, served blind. There’s absolutely no way to guess what it is, of course, other than that it’s yet another member of the “orange wine” set, and this time much closer to actual (cloudy) orange than most of its cohorts. As for the wine? Mixed citrus, perhaps leaning a bit towards blood orange, with a very citric acidic presence. There’s a miasma of lambic-like yeastiness, a thick dryness that would appear to be tannin (though I might be misattributing something), and then an interesting interplay of peach and pomegranate on the finish. Papaya too? Sure, why not? A fascinating wine. I like it a great deal. (4/09)

Cornelissen to my plea

Cornelissen “MunJebel 3” 2005 Sicilia Rosso (Sicily) – Nerello mascalese. Cloudy to the point of muddiness, and more the color of iron-rich dirt than falling anywhere in the usual range of red wine hues. Tannic and short. Very tactile, but this is far less interesting than the white of the same name. (4/09)