Lapierre 2007 Morgon (Beaujolais) – Light, with the texture of flake-depth foil, as if the fruit has been pressed and stretched into the most delicate leaves of nearly-transparent fruit. The wine is, in the context of its ancestors, so light that it’s not easy to discern its Morgon-ness (though the quality of the fruit is darker than most other Beaujolais of similar weight, and there’s the faintest iron-like soil component that meets one’s expectations). Drinking this wine is a little like holding one’s breath, knowing that the slightest sound will disturb something that’s important to hear. (8/09)
Lapierre 2007 Morgon (Beaujolais) – More soil and (absent the heat) dusted peppercorn than has been typical for this wine, the result of a slight diminishment of the delicate. I don’t mean to suggest an absence of fruit, but a very slight change in the balance is all that’s necessary for this wine to shift position. (8/09)
Cuilleron 2001 “Roussillière” (Rhône) – From 500 ml and partially-fermented grapes. The problem with Cuilleron’s wines is that they’re overwhelmingly goopy, structure-free, and far too soup-like for their own good. Here’s a wine that goes ahead and admits its faults by intent, by leaving unfermented sugar in the wine. The result is far more pleasant than Cuilleron’s allegedly dry wines, and I think the sweetly floral nature of the raw material is ideally-suited for the dessert category. (9/09)
Blanck 2002 Gewurztraminer Altenbourg (Alsace) – The first bottle (of a fair quantity) that has appeared to show signs of being on the other side of its closed period. Thankfully, there’s reward for the promise of youth. Strappy, smoked pork elements have just barely started to emerge, lychee has gained a jacket of iron, and the cashews and almonds have started to shed their oil and present a harder-edged aspect. There’s pretty good acidity, still, and this will carry the wine for quite some years yet. (9/09)
Bott-Geyl 2004 “Gentil” (Alsace) – Smooth, deft stone fruit and the lightest forms of citrus, with a little bit of that classic Alsatian spice. Strong-willed for a Gentil, but not heavy. Very appealing. (8/09)
Montevertine 2002 “Pian del Ciampolo” (Tuscany) – Succulent, beautifully balanced, but in no way overworked to get to this state. Gentle red fruit and brown earth, light spice, smooth-textured cotton. Pure loveliness. Primary, partially tertiary…it’s hard to care when the wine is this good, at any stage. (9/09)
Lageder 2007 Moscato Giallo Vogelmaier (Alto Adige) – Nectarines infused with the usual wild muscat perfume. The fruit helps reign the aromatics into something better-suited for genteel company, and there’s an appealing rock salt counterpoint as well. The only drawback is that, as with most muscats, the wine tends to dominate almost any food with which it’s served, so it’s probably best-suited as an apéritif. (8/09)
Gulfi 2007 Nero d’Avola “Rossojbleo” (Sicily) – Dark, and not just in terms of fruit (which is extremely dense), but also minerality and general mood. I think I taste black ash soil here, but that could just be the power of suggestion; I’m sure, however, that the soil component is significant. The wine’s heavy, to be sure, and neither traditional nor thoroughly modern. It’s probably not for everyone, but neither is it some individualistic outlier. I’d like to give it some time in the cellar, to see what happens, but the synthetic cork prevents that. (8/09)
Bruno Rivetti “Cascina Vano” 1998 Langhe “Duetto” (Piedmont) – While there’s a hard-edge crust of probably-unresolvable tannin, I think the rest of the elements are fully mature. Fine-particulate flower petals, dusty (and old) reddish-black fruit, walnut shells, some earth, and a fair murmur of acidity linger. A nice wine, albeit probably one without a “peak” as such. (9/09)
Faller “Domaine Weinbach” 1999 Pinot Gris “Cuvée Ste-Catherine” (Alsace) – From a difficult vintage known for deficient acidity, a grape not exactly known for crispness, and a house inclined towards late-hanging fruit (albeit rarely with an absence of acidity). Plus, ten years old. In other words, there’s every reason to suspect this wine is going to disappoint, and do so in a predictable fashion. Well, strike one for the defiance possible with enough conviction, because this is really, really good. Spiced pear lingers, in a more blended form than in the wine’s youth, but fine, unpolished-metal minerality has emerged to take point, and the light sweetness and pretty acidity are in perfect balance. Long and very good, but most of all: surprising. (8/09)
Terras Gauda 2004 Rias Biaxas “O Rosal” (Northwest Spain) – Ripe lemon and the aroma of salt flats, plus some squiggly structure and a lot of sun. Nice. (8/09)
Amesguren “Ameztoi” 2008 Getariako Txakolina Rubentis (Northwest Spain) – A tidal pool of light raspberry froth laden with white flowers, foaming and fizzing with life (and, to abandon the metaphor, carbon dioxide). Lovely, burst-of-youth stuff. (9/09)
Knoll “Weingut am Stein” 2007 Silvaner (Franken) – Salty, spicy, and strikingly vivid. There’s a green edge, but it’s a ripe greenness, and it’s thoroughly dominated by the mineral salts and lively aggression of the wine. Really good, and not just for sylvaner. (10/09)
Donaldson Family “Pegasus Bay” 1999 “Finale” (Waipara) – From 375 ml. My last, and best, bottle, exploding with spicy complexity, rich bronzed peach, and luxuriant texture. Fabulous. (9/09)
Donaldson Family “Pegasus Bay” 2006 Riesling (Waipara Valley) – Lake, rather than river, riesling...by which I mean there’s a tranquility, and the mineral/structural underpinnings rest placidly rather than race past. Ripe apple, sweet lime, and a sunny acidity also play their part. A very engaging wine, still in the flush of youth. (8/09)
Brajkovich “Kumeu River” 2000 Chardonnay (Kumeu) – Nowhere near maturity, and not due to the longevity-increasing qualities of screwcap, either; this one’s under cork. Peach has blue-shifted slightly to apricot, orange to pear, and there’s an ever-so-slight emergence of both tan earth and light spice, but with the fruit still mostly primary and the good structure still firmly in place, the only real sign of movement so far is a reduction in the textural presence of oak (though as noted earlier, the aged and spicy component thereof is still quite shy). I’d let it rest for another five years, at least, before venturing another taste. (9/09)
Hendry 2005 Zinfandel Block 28 (Napa Valley) – 15.2%. To me, Hendry is an underrated producer. Heck, I even like their chardonnay. Mitigating against that, at least for my cellar, is that their prices are…well, they’re low for Napa, but aggressive in any wider context. That’s one thing when discussing the cabernet, quite another when looking at the zinfandels, which are reliably high-quality but priced as if they’re at the pinnacle, which they’re not. Here’s a wine with concentrated wild-berry fruit (blackberry, olallieberry, perhaps even some dark, exotic plum), excellent structure, and obvious aging potential. The finish is medium-length but vibrant throughout. I just wish it was a little cheaper. (9/09)
Edmunds St. John 2001 Syrah (California) – It will be to my ongoing regret, I’m sure, that the succulent appeal of this wine has kept me from aging it as long as it deserves. Dark fruit in the black & blue realm, leather, resolving but not quite diminishing structure, and complexity in micro-flake form...this wine regularly performs well above its pay grade, and has gotten better with each bottle I’ve uncorked. (8/09)
Shane 2007 Syrah “The Unknown” (Sonoma County) – 14.2%. Blueberry, a little bit of cocoa, and a good deal of malt powder. The ice cream’s missing, however, and has been replaced by just a touch of booze. Nothing too offensive, and for wines of this type – admittedly not my thing – I can’t see much wrong with it aside from that slight intrusion of heat. (9/09)
Gundlach Bundschu 2006 Gewürztraminer Rhinefarm (Sonoma Valley) – Quartz lychees, cashews in raw rather than oil form, and a little bit of leafy complexity. Short. A bit sweet, but in balance. (8/09)
Gaillard 1999 Côte-Rôtie “Rose Pourpre” (Rhône) – Very aromatic, but it’s not all the violet-infused terroir…it’s the wood, as well, which is still hovering and expansive, though signs of its eventual integration are apparent. Beef-tinged earth does not detract from an overall elegance, but there’s reticence as well, and many veils yet to be penetrated. This has many, many years to go. It’s a modern-inflected wine, for sure, but it’s not wholly New World. Rather, it attempts to straddle the line, and whether or not one responds to it depends, I suppose, on one’s tolerance for wood with syrah. (10/06)